Magazine
Landscape: Notes for the
End of the Anthropocene
This project involved the design of a series of three magazine covers for Landscape: Notes for the End of the Anthropocene, a publication focused on environmental issues and humanity's impact on the planet.The aim was to create three distinct covers, each dedicated to a specific theme: ecology, extinction, and pollution. Although each cover explored a different topic, the challenge was to maintain a consistent visual identity across the series, ensuring that they could be recognized as part of the same publication.The design process began with research into the selected themes, exploring their environmental, social, and visual implications. Through the collection of references and imagery, I developed visual concepts capable of communicating the urgency and complexity of these contemporary issues.Particular attention was given to the relationship between image, typography, and composition, with the goal of creating covers that were both visually engaging and conceptually meaningful. Each design was developed to communicate its specific subject while contributing to the overall narrative of the magazine.The project explores how editorial design can be used not only to inform, but also to raise awareness and encourage reflection on some of the most pressing environmental challenges of our time.
Lilac
This project involved the creation of a small editorial publication dedicated to a colour of my choice. I selected lilac and explored its visual identity through a collection of references from art, photography, design, fashion, food, literature, and television.The project began with a visual research phase, during which I gathered and selected images capable of representing the different meanings and emotions associated with the colour. The collected references were then organised into a coherent editorial narrative, creating connections between different fields through a shared colour palette.The aim of the project was to investigate how a single colour can become a visual language, capable of connecting diverse forms of expression and communicating specific moods, values, and cultural associations.
Kristalia Editorial Layout
This project focused on the editorial design of a publication featuring products from Kristalia, an Italian company specializing in contemporary furniture and interior design.Rather than presenting the products as a simple catalogue, I chose to create a visual narrative that would guide the reader through different domestic spaces. The publication begins with an outdoor setting, introducing the patio as the first point of contact with the home. From there, the sequence continues through the living room, bedroom, terrace, and finally the workspace, creating a coherent journey through the various environments and the products associated with them.The layout was designed to emphasize the relationship between furniture and space, allowing each image to contribute to the overall story while maintaining a clean and balanced editorial structure.The project concludes with a technical section containing detailed product information, providing a functional complement to the visual narrative and completing the publication with a clear and organized overview of the featured furniture pieces.
